Towards Revised Tempo Indications for Beethoven’s Piano and Cello Sonatas: Czerny, Moscheles, Kolisch, and Recorded Practice 1930-2012
arXiv:2604.18631v1 Announce Type: new Abstract: Historical metronome indications for Beethoven’s five piano and cello sonatas (as transmitted by Czerny, Moscheles, and Kolisch), have long been regarded as problematic by performers and scholars alike. This paper presents the first systematic empirical assessment of those indications against a corpus of over one hundred movement-level recordings spanning 1930–2012, encompassing first, second, and third movements across all five sonatas (Op.~5 Nos.~1 and~2; Op.~69; Op.~102 Nos.~1 and~2). The core findings are threefold. First, […]